You’ve chosen your camera. Maybe you’ve even tried photographing a squirrel in the garden or a robin at the feeder. But when it comes to heading out into the field, you might be wondering:
The good news? You don’t need to travel far, have expensive gear, or know everything about birds to begin.
Wildlife photography starts with curiosity, quiet observation, and a bit of planning.
In this guide, I’ll walk you through how to start wildlife photography - from choosing a location and understanding animal behaviour to composing thoughtful images and practicing with confidence.
This is about building experience, one walk at a time.
Let’s begin.
You don’t need to head into the wild with military precision—just a bit of thoughtful preparation can make a big difference.
To make planning even easier, consider using my nature walk checklist before you go.
However, here is a checklist so you can check you have the essentials before heading out.
✅ Charged camera battery
✅ Empty memory card
✅ One lens
✅ Weather-appropriate clothes
✅ Curiosity & patience
Start somewhere you can return to regularly—a local reserve, woodland, lake, or even your garden.
Many of my favourite shots were taken from indoors looking through the window!
These can make a world of difference—especially on your first few outings:
Field Tip: For your initial outings, build confidence by focusing on more predictable or slower-moving wildlife. Think ducks on a pond, squirrels in the park, common garden birds near a feeder, or large birds like swans or geese.
Don't feel pressured to capture fast action like birds in flight right away – that will come with practice!
Don’t measure the success of your first shoot by how many photos you take. Just being out in nature, noticing things more closely—that’s a win in itself.
You don’t need to memorise field guides—but a little knowledge helps.
I keep a little notebook or use my phone to jot down animal patterns and lighting notes on each visit.
Even overcast days have their charm—especially for soft portraits and moody mist.
You’ll learn more in one quiet hour of patient watching than ten minutes of rushing around.
Want to get started without fiddling with too many buttons? Try this:
You don’t need fancy gear to create a beautiful wildlife photo—just a thoughtful eye and a bit of awareness.
Good composition helps guide the viewer’s eye to the subject and gives the image a sense of intention. It’s like setting a little stage for your animal, letting them shine in the spotlight.
Try one of these easy, beginner-friendly techniques the next time you're out:
Imagine your frame is divided into nine equal parts with two vertical and two horizontal lines. Placing your subject where those lines cross often feels more natural than centring it.
I often place robins just off to the side. It gives them a bit of breathing room and lets the background sing, too.
Look for paths, shadows, fences, or branches that draw the eye toward your subject.
Even a simple twig can guide the viewer’s attention if it’s pointing the right way.
Use trees, tall grass, arches, or other shapes in nature to surround your subject.
Makes the viewer feel like they’re peeking into a hidden moment
Sometimes I just sit and wait—nature often gives you a ready-made frame if you’re patient.
Zoomed-in shots are lovely, but stepping back tells a different kind of story.
hat swan in the mist, below, wouldn’t have worked as a close-up—it was the emptiness and quiet that made it special.
Once you've played with the classics, try something different:
Some of my most memorable photos happened when I ignored the rulebook entirely and just went with instinct.
Try This on Your Next Walk: Pick just one of these composition ideas—say, framing or leading lines—and make it your goal for the outing. You don’t have to nail it. Just try to see the world through that lens for a little while.
There’s a quiet kind of magic in photographing wild animals—but with that comes responsibility. Our lenses let us observe, but they shouldn’t disturb.
Ethical photography means the welfare of your subject comes first—every time. Here are the guidelines I stick to on every outing:
A long lens is your best friend here. Getting a good photo doesn’t mean getting physically close.
Getting too close to nesting birds can cause stress, or even lead to them abandoning their eggs.
Always let your lens do the walking.
Wildlife + sudden burst of light = not a great combo.
If it’s too dark to shoot, maybe it’s a moment to just sit and enjoy.
We’re visitors in their world. Let’s leave it exactly as we found it (or better)
On one butterfly outing to Fermyn Woods, a gorgeous patch was ruined by careless trampling. The butterflies didn’t come back.
Nature reserves, parks, and wild places often have specific rules for good reason.
I once saw a dog chase sheep through a protected meadow—its owner couldn’t call it back. It was heartbreaking.
Gentle Reminder: The best wildlife photos happen when animals feel safe enough to carry on as if you’re not there. That’s the moment to wait for.
Tip: The most rewarding photos come when animals feel safe enough to act naturally. That’s the moment worth waiting for.
ou don’t need to travel far—or wait for a red-listed rarity—to become a wildlife photographer. Some of the best skills are grown right on your doorstep.
Staying close to home takes the pressure off. It helps you build muscle memory, experiment freely, and start seeing the familiar with new eyes.
I spent weeks photographing robins and blackbirds in my garden. They’re still some of my favourite shots.
One park, four visits, four completely different moods. Nature’s never the same twice.
Zoos might not be wild, but they’re great for building technique:
Zoo photography helped me understand animal movement—lessons I now use every time I spot something in the wild.
Tips for Returning Visits Make a habit of going back to the same place. Over time, you’ll start to notice:
These small insights add up—and before long, you’ll feel like part of the landscape yourself.
Wildlife photography is more than shutter speeds and sharpness.
It’s about patience, noticing, and turning ordinary moments into something meaningful.
You don’t need a prize-winning photo to feel proud. If you showed up, slowed down, and tried—well, that’s the good stuff.
Seeing how others approach the same subject gave me loads of inspiration—and ideas I never would’ve tried on my own.
You might inspire someone else to dust off their camera and look closer at the world around them.
That first Mayfly photo that started everything? I entered it on a whim. It led to a lot more than I expected.
Tip: Revisit your early photos every few months. Notice what you’ve learned, how your eye has changed, and what moments you value now. Growth sneaks up on you—but it’s there.
Wherever you go next—whether it’s your garden, a local wood, or a misty path at dawn—just know:
You’re doing it right.
Every pause. Every blink. Every slightly out-of-focus bird on a branch.
It’s all part of the journey.
Happy walking. Happy watching. And whenever you’re ready—because now you know how to start wildlife photography.
Carol is a wildlife photographer and nature writer based in the East of England, with a passion for peaceful walks, patient observation, and capturing life’s quiet wonders.
Through her lens and words, she shares the stories of the natural world — from bluebells and butterflies to birds like the great crested grebe.
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